A few figs from thistles: poems and sonnets

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CfiPmiGHT DEPOSni

A FEW FIGS FROM THISTLES

By

Edna St, Vincent Millay

RENASCENCE, and Other Poems

A FEW FIGS FROM THISTLES, Poems

SECOND APRIL, Poems

ARIA DA CAPO, a Play

TWO SLATTERNS AND A KING, a Play

THE LAMP AND THE BELL, a Play

THE BALLAD OF THE HARP-
WEAVER, a Poem

^ Few FiQS From Thistles

POEMS AND SONNETS

Edna Sl.ViRcent Millaip

NEW AND
ENLARGED EDITION

FRANK SHAY A STEWART KIDD

PUBLISHER ^^m. DISTRIBUTOR
NEW YORK -iJF^lEk CINCINNATI

Copyright, 1922 by C-,

FRANK SHAY < "^'^ fv

AU Rights Reserved Ov^ /\

Printed in the United States of America

The Caxton Press

3CU602651

A FEW FIGS FROM THISTLES

Thanks are due to the editors of Ainslie's, The Dial, Pearson's,
Poetry, Reedy' s Mirror, and Vanity Fair, for their kind permission to
republish various of these poems.

This edition of "A Few Figs from Thistles" contains several
poems not included in earlier editions.

FIRST FIG g

SECOND FIG g

RECUERDO 10

THURSDAY 12

TO THE NOT IMPOSSIBLE HIM I3

MACDOUGAL STREET I4

THE SINGING- WOMAN FROM THE WOOD'S EDGE 1 6

SHE IS OVERHEARD SINGING I9

THE PRISONER 22

THE UNEXPLORER 23

GROWN-UP 24

THE PENITENT 25

DAPHNE 27

PORTRAIT BY A NEIGHBOR 28

MIDNIGHT OIL 30

THE MERRY MAID 3 1

TO KATHLEEN 32

TO S. M. 33

THE PHILOSOPHER 34

SONNET— Love, Though for This 36

SONNET— I Think I Should Have Loved You 37

SONNET— Oh, Think Not I am Faithful 38

SONNET— I Shall Forget You Presently 39

FIRST FIG

TV/TY candle bums at both ends;

It will not last the night;
But ah, my foes, and oh, my friends-
It gives a lovely light!

SECOND FIG

QAFE upon the solid rock the ugly houses stand:
Come and see my shining palace built upon the
sand!

RECUERDO

"X^IZE were very tired, we were very merry —

We had gone back and forth all night on the ferry.
It was bare and bright, and smelled like a stable —
But we looked into a fire, we leaned across a table,
We lay on the hill-top underneath the moon;
And the whistles kept blowing, and the dawn came
soon.

We were very tired, we were very merry —

We had gone back and forth all night on the ferry;

And you ate an apple, and I ate a pear,

From a dozen of each we had bought somewhere;

And the sky went wan, and the wind came cold.

And the sun rose dripping, a bucketful of gold.

We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-
covered head,

10

RECUERDO

And bought a morning paper, which neither of us read;
And she wept, ''God bless you!" for the apples and the

pears,
And we gave her all our money but our subway fares.

zi

THURSDAY

A ND if I loved you Wednesday,

Well, what is that to you?
I do not love you Thursday —
So much is true.

And why you come complaining

Is more than I can see.
I loved you Wednesday, — yes — but what

Is that to me?

12

TO THE NOT IMPOSSIBLE HIM

'OW shall I know, unless I go
To Cairo and Cathay,
Whether or not this blessed spot
Is blest in every way?

Now it may be, the flower for me
Is this beneath my nose;

How shall I tell, unless I smell
The Carthaginian rose?

The fabric of my faithful love
No power shall dim or ravel

Whilst I stay here, — but oh, my dear.
If I should ever travel!

13

MACDOUGAL STREET

A^S I went walking up and down to take the evening
air,
(Sweet to meet upon the street, why must I be so
shy?)
I saw him lay his hand upon her torn black hair;
("Little dirty Latin child, let the lady by!")

The women squatting on the stoops were slovenly
and fat,

(Lay me out in organdie, lay me out in lawn!)
And everywhere I stepped there was a baby or a cat;

(Lord, God in Heaven, will it never be dawn?)

The fruit-carts and clam-carts were ribald as a fair,
(Pink nets and wet shells trodden under heel)

She had haggled from the fruit-man of his rotting ware;
(I shall never get to sleep, the way I feel !)

He walked like a king through the filth and the clutter,
(Sweet to meet upon the street, why did you glance
me by?)

14

MACDOUGAL STREET

But he caught the quaint Italian quip she flung him
from the gutter;
(What can there be to cry about that I should lie

and cry?)

He laid his darling hand upon her little black head,
(I wish I were a ragged child with ear-rings in my
ears !)
And he said she was a baggage to have said what she
had said;
(Truly I shall be ill unless I stop these tears!)

15

THE SINGING-WOMAN FROM THE WOOD'S

EDGE

\X7HAT should I be but a prophet and a liar,

Whose mother was a leprechaun, whose father
was a friar?
Teethed on a crucifix and cradled under water.
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and

the frog,
That was got beneath a furze -bush and born in a bog?
And what should be my singing, that was christened

at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby.
You will find such flame at the wave's weedy ebb
As flashes in the meshes of a mer-mother's web.

i6

THE SINGING- WOMAN

But there comes to birth no common spawn
From the love of a priest for a leprechaun,
And you never have seen and you never will see
Such things as the things that swaddled me!

After all's said and after all's done,
What should I be but a harlot and a nun?

In through the bushes, on any foggy day.
My Da would come a-swishing of the drops away,
With a prayer for my death and a groan for my birth,
A-mumbling of his beads for all that he was worth.

And there sit my Ma, her knees beneath her chin,
A-looking in his face and a-drinking of it in.
And a-marking in the moss some funny little saying
That would mean just the opposite of all that he was
praying!

He taught me the holy-talk of Vesper and of Matin,
He heard me my Greek and he heard me my Latin,
He blessed me and crossed me to keep my soul from

evil.
And we watched him out of sight, and we conjured up

the devil!

17

FIGS FROM THISTLES

Oh, the things I haven't seen and the things I haven't

known,
What with hedges and ditches till after I was grown,
And yanked both ways by my mother and my father,
With a "Which would you better?" and a "Which

would you rather?"

With him for a sire and her for a dam,
What should I be but just what I am?

i8

SHE IS OVERHEARD SINGING

)H, Prue she has a patient man,
And Joan a gentle lover,
And Agatha's Arth' is a hug-the-hearth, —
But my true love's a rover!

Mig, her man's as good as cheese

And honest as a briar,
Sue tells her love what he's thinking of, —

But my dear lad's a liar!

Oh, Sue and Prue and Agatha

Are thick with Mig and Joan !
They bite their threads and shake their heads

And gnaw my name like a bone;

And Prue says, "Mine's a patient man,
As never snaps me up,"

19

FIGS FROM THISTLES

And Agatha, "Arth' is a hug-the=hearth,
Could live content in a cup,"

Sue's man's mind is like good jell —

All one color, and clear —
And Mig's no call to think at all

What's to come next year,

While Joan makes boast of a gentle lad.
That's troubled with that and this; —

But they all would give the life they live
For a look from the man I kiss 1

Cold he slants his eyes about,

And few enough's his choice, —
Though he'd slip me clean for a nun, or a queen,

Or a beggar with knots in her voice, —

And Agatha will turn awake

When her good man sleeps sound,
And Mig and Sue and Joan and Prue

Will hear the clock strike round,

For Prue she has a patient man,
As asks not when or why,

20

SHE IS OVERHEARD SINGING

And Mig and Sue have naught to do
But peep who's passing by,

Joan is paired with a putterer
That bastes and tastes and salts,

And Agatha's Arth' is a hug-the-hearth, —
But my true love is false!

21

THE PRISONER

^LL right,

Go ahead!
What's in a name?
I guess I'll be locked into
As much as I'm locked out of!

22

THE UNEXPLORER

npHERE was a road ran past our house

Too lovely to explore.
I asked my mother once — she said
That if you followed where it led
It brought you to the milk-man's door.
(That's why I have not traveled more.)

33

GROWN-UP

■^il^^AS it for this I uttered prayers,

And sobbed and cursed and kicked the stairs,
That now, domestic as a plate,
I should retire at half-past eight?

24

THE PENITENT

J HAD a little Sorrow,

Bom of a little Sin,
I found a room all damp with gloom

And shut us all within;
And, * 'Little Sorrow, weep," said I,
"And, Little Sin, pray God to die.
And I upon the floor will lie

And think how bad I've been!"

Alas for pious planning —

It mattered not a whit !
As far as gloom went in that room,

The lamp might have been lit!
My Little Sorrow would not weep,
My Little Sin would go to sleep —
To save my soul I could not keep

My graceless mind on it!

So up I got in anger.
And took a book I had,

25

FIGS FROM THISTLES

And put a ribbon on my hair

To please a passing lad.
And, **One thing there's no getting by-
I've been a wicked girl," said I;
"But if I can't be sorry, why,

I might as well be glad!"

26

DAPHNE

'\A7'HY do you follow me?—-

Any moment I can be
Nothing but a laurel-tree.

Any moment of the chase

I can leave you in my place

A pink bough for your embrace.

Yet if over hill and hollow
Still it is your will to follow,
I am off; — to heel, Apollo!

27

PORTRAIT BY A NEIGHBOR

OEFORE she has her floor swept

Or her dishes done,

Any day you'll find her

A-sunning in the sun!

It's long after midnight

Her key's in the lock,
And you never see her chimney smoke

Till past ten o'clock!

She digs in her garden

With a shovel and a spoon,

She weeds her lazy lettuce
By the light of the moon.

She walks up the walk
Like a woman in a dream,

28

PORTRAIT BY A NEIGHBOR

She forgets she borrowed butter
And pays you back cream!

Her lawn looks like a meadow,
And if she mows the place

She leaves the clover standing
And the Queen Anne's lace!

29

MIDNIGHT OIL

r^UT if you will, with Sleep's dull knife,

Each day to half its length, my friend,-
The years that Time takes off 1213/ life,
He'll take from off the other end!

30

THE MERRY MAID

QH, I am grown so free from care

Since my heart broke!
I set my throat against the air,
I laugh at simple folk!

There's little kind and little fair
Is worth its weight in smoke

To me, that's grown so free from care
Since my heart broke!

Lass, if to sleep you would repair
As peaceful as you woke.

Best not besiege your lover there
For just the words he spoke

To me, that's grown so free from care
Since my heart broke!

31

TO KATHLEEN

QTILL must the poet as of old,

In barren attic bleak ajid cold,
Starve, freeze, and fashion verses to
Such things as flowers and song and you;

Still as of old his being give

In Beauty's name, while she may live,

Beauty that may not die as long

As there are flowers and you and song.

32

TO S. M.

// he should lie a-d^ing

T AM not willing you should go

Into the earth, where Helen went;
She is awake by now, I know.
Where Cleopatra's anklets rust
You will not lie with my consent;
And Sappho is a roving dust;
Cressid could love again; Dido,
Rotted in state, is restless still;
You leave me much against my will.

33

\i

THE PHILOSOPHER

ND what are you that, missing you,
I should be kept awake
As many nights as there are days
With weeping for your sake?

And what are you that, missing you.

As many days as crawl
I should be listening to the wind

And looking at the wall?

I know a man that's a braver man

And twenty men as kind,
And what are you, that you should be

The one man in my mind?

Yet women's ways are witless ways.

As any sage will tell, —
And what am I, that I should love

So wisely and so well?

34

FOUR SONNETS

35

FIGS FROM THISTLES

T OVE, though for this you riddle me with darts,

And drag me at your chariot till I die, —
Oh, heavy prince! Oh, panderer of hearts! —
Yet hear me tell how in their throats they lie
Who shout you mighty: thick about my hair,
Day in, day out, your ominous arrows purr,
Who still am free, unto no querulous care
A fool, and in no temple worshiper !
I, that have bared me to your quiver's fire,
Lifted my face into its puny rain.
Do wreathe you Impotent to Evoke Desire
As you are Powerless to Elicit Pain !
(Now will the god, for blasphemy so brave,
Punish me, surely, with the shaft I crave!)

36

SONNETS

II

T THINK I should have loved you presently,

And given in earnest words I flung in jest;
And lifted honest eyes for you to see,
And caught your hand against my cheek and breast;
And all n-y pretty follies flung aside
That won you to me, and beneath your gaze,
Naked of reticence and shorn of pride,
Spread like a chart my little wicked ways.
I, that had been to you, had you remained.
But one more waking from a recurrent dream,
Cherish no less the certain stakes I gained,
And walk your memory's halls, austere, supreme,
A ghost in marble of a girl you knew
Who would have loved you in a day or two.

37

FIGS FROM THISTLES

III

QH, THINK not I am faithful to a vow! '
Faithless am I save to love's self alone.
Were you not lovely I would leave you now: '
After the feet of beauty fljr my own.
Were you not still my hunger's rarest food.
And water ever to my wildest thirst,
I would desert you — think not but I would !~-
And seek another as I sought you first.
But you are m^obile as the veering air,
And all your charms more changeful than the tide,
Wherefore to be inconstant is no care:
I have but to continue at your side.
So wanton, light and false, my love, are you,
I am most faithless when I most am true.

38

SONNETS

IV

T SHALL forget you presently, my dear.

So make the most of this, your little day.
Your little month, your little half a year,
Ere I forget, or die, or move away.
And we are done forever; by and by
I shall forget you, as I said, but now,
If you entreat me with your loveliest lie
I will protest you with my favorite vow.
I would indeed that love were longer-lived.
And vows were not so brittle as they are,
But so it is, and nature has contrived
To struggle on without a break thus far, —
Whether or not we find what we are seeking
Is idle, biologically speaking.

39

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